
By Katherine Sharma
I’m a sucker for Southern Gothic writing–works by authors such as William Faulkner, Flannery O’Connor, Carson McCullers and Cormac McCarthy. So I was curious to read the recently published The Gates of Evangeline by Hester Young, described as a “Southern Gothic mystery debut.”
While a well-plotted mystery with Gothic elements–dream visions, an old mansion and family secrets–the book is more a paranormal mystery/romance with a Southern setting than a “Southern Gothic.” So what is Southern Gothic writing? It is regional literature using dark humor, religiosity or the supernatural, generational decay, violence and grotesque characters and events “not solely for the sake of suspense but to explore social issues and reveal the cultural character of the American South,” per a combination of definitions.

Young’s Louisiana locale is a sketched frame for her psychic East Coast protagonist’s sleuthing and romancing of a manly Texan in boots. A Southern Gothic novel’s powerful and authentic sense of place is its dark, inspirational core: decayed grandeur side by side with poverty and ambition; violence and hypocrisy embraced or defied; religious piety sitting on the same bench with perversion and corruption; family trees bearing love and poison; God and the Devil in daily discourse. This macabre and fantastical South is peopled by uniquely grotesque characters with crippled bodies, broken hearts or twisted souls. Or as Southern author Pat Conroy commented in this amusing quote: “My mother, Southern to the bone, once told me, ‘All Southern literature can be summed up in these words: On the night the hogs ate Willie, Mama died when she heard what Daddy did to Sister.'” See this Publishers Weekly listing of the top Southern Gothic books: http://www.publishersweekly.com/pw/by-topic/industry-news/tip-sheet/article/66013-10-best-southern-gothic-books.html
ABOUT KATHERINE SHARMA
Katherine Sharma’s family roots are in Louisiana, Oklahoma and Texas. But after her early childhood in Texas, she has moved around the country and lived in seven other states, from Virginia to Hawaii. She currently resides in California with her husband and three children. She has also traveled extensively in Europe, Africa and Asia, and makes regular visits to family in India. After receiving her bachelor’s degree. in economics and her master’s degree in journalism from the University of Michigan, Katherine worked as a newspaper and magazine writer and editor for more than 15 years. She then shifted into management and marketing roles for firms in industries ranging from outdoor recreation to insurance to direct marketing. Although Katherine still works as a marketing consultant, she is now focused on creative writing.


The study found that the most friendly and conventional people tended to live in the South and north-central Great Plains region, while relaxed and creative traits were more common in the Western and Eastern coastal areas. New Englanders, in contrast, were most likely to be uninhibited and temperamental.
By Katherine Sharma
Some research shows that if you like a Craftsman home, you tend to value home and family, and thus a style that is classic, functional and good for down-to-earth entertaining. If you dream of an ornate Victorian with turrets and gingerbread, you are probably both an art lover and a detail-oriented fan of traditional order. In contrast, if you yearn to move into an urban loft with an Industrial look–lots of exposed brick, raw wood and steel–you’re a more casual, eclectic soul, maybe with a tattoo or two.
celebrated motherhood with floral bouquets and restaurants full of dutiful children honoring moms. Of course, in fiction, especially mystery writing, the “bad” mother is usually more significant to plot and character development.
Probably the most heinous crime in our culture is a mother’s murder or torture of her own children. But most fictional bad mothers commit emotional crimes rather than physical violence. Their toxic mothering patterns have been helpfully categorized by Peg Streep, author of Mean Mothers: dismissive (ignoring and rejecting), controlling (micromanaging), unavailable (emotional withdrawal or actual abandonment), enmeshed (“stage” moms), combative (hypercritical and competitive), self-involved (superficial narcissists), unreliable (behavioral swings), and role-reversed (dependent moms, such as those with alcoholism or depression). No wonder bad moms are such good fodder for writers!
By Katherine Sharma
By Katherine Sharma
Some mystery authors transcend the genre in style and originality, and P.D. James, the British “Queen of Crime,” who passed away at age 94 this past November, is one example. Her last book, Death Comes to Pemberley, was published in 2011 when she was already in her 90s and combined two of her passions, which happily coincide with mine: Jane Austen’s social novels and detective fiction.
By Katherine Sharma
By Katherine Sharma
By Katherine Sharma