By Katherine Sharma
Now that I’m joining the ranks of senior citizens in a few years (I’m holding off true membership till age 65), I find myself more interested in mystery tales featuring older lady sleuths. Of course, Agatha Christie’s Miss Jane Marple, the shrewdly observant spinster of St. Mary Mead, has an international fan base. And Jessica Fletcher, Donald Bain’s retired English teacher and novelist, even won a TV following for the “Murder, She Wrote” series.
There are many other outstanding examples: M.C. Beaton’s Agatha Raisin, a retired PR agent turned PI (with a BBC series); globe-trotting Mrs. Emily Pollifax, grandmother and spy, of the eponymous Dorothy Gilman series; and Eugenia Potter, widowed chef and star of the culinary cozy mysteries of Virginia Rich and Nancy Pickard.
I wondered if there was some special set of skills offered by older ladies to make them appealing to mystery writers. And I came up with five reasons a mystery author might choose to create a gray-haired female detective.
- For one thing, as retirees, and often widows or spinsters, older women have more time to devote to detection without the constant, complicating drag of career and/or family on character and plot.
- Second, their judgment can be informed by age rather than years of police training, so they can draw on long experience with personal and social interactions to pick up the subtle clues to murder.
- Third, these fictional characters can be freed by age, maturely comfortable in their own skins and less constrained by worry over social conventions and sexual politics. This allows authors to create an eccentric, independent, adventurous or even comical character that would be less believable as a 20-something or 30-something heroine.
- Fourth, older ladies can approach evil obliquely and catch it unawares, because there are few people seen as less threatening than a grandmother or maiden aunt.
- And, finally, these fictional sleuths are not just older people, they are older women. Even today, most societies reward men for action, control and dominance, and encourage women to be more observant, emotionally attuned and socially participant. Female detectives can turn that gender bias into an advantage in terms of honed human observational skills.
For some more senior sleuths, check out author Chris Well’s post at http://chriswellnovelist.blogspot.com/2010/07/retirement-is-murder-10-senior-sleuths.html
ABOUT KATHERINE SHARMA
Katherine Sharma’s family roots are in Louisiana, Oklahoma and Texas. But after her early childhood in Texas, she has moved around the country and lived in seven other states, from Virginia to Hawaii. She currently resides in California with her husband and three children. She has also traveled extensively in Europe, Africa and Asia, and makes regular visits to family in India. After receiving her bachelor’s degree. in economics and her master’s degree in journalism from the University of Michigan, Katherine worked as a newspaper and magazine writer and editor for more than 15 years. She then shifted into management and marketing roles for firms in industries ranging from outdoor recreation to insurance to direct marketing. Although Katherine still works as a marketing consultant, she is now focused on creative writing.
So this very unusual political season has inspired me to take a closer look at political thrillers. An example is the just released novel about ISIS terrorism in France from bestselling political thriller author Daniel Silva. In The Black Widow, the spy hero is poised for promotion to chief of Israel’s secret intelligence service but takes on one final operation after ISIS detonates a massive bomb in Paris, and the desperate French government asks him to eliminate the man responsible before he can strike again.
The classic political thrillers emerged after World War II when the West faced a nuclear-armed world divided by Cold War ideologies and post-colonial chaos. Among the best-known works is Richard Condon’s 1959 The Manchurian Candidate about the son of a prominent U.S. political family who is brainwashed into becoming an unwitting Communist assassin controlled by his domineering mother, who seeks to make her husband, a McCarthy-esque senator, into a puppet dictator.
In 1955, Graham Greene’s prescient The Quiet American depicts French and British colonialism in Vietnam being uprooted by American involvement during the 1950s, revealing a blind American “exceptionalism” that fails to see disaster looming.
Colonialism’s poisonous roots in the Muslim world are exposed in 1972’s Edgar Award-winning The Day of the Jackal by Frederick Forsyth, about a mysterious professional assassin contracted to kill French President Charles de Gaulle by the OAS, a French dissident paramilitary organization upset by France’s Algeria policy.
More recently, America’s racial politics are the subject of A Certain Justice by John Lescroart, published in 2006: When an angry white mob in San Francisco murders an innocent black man, the only man who tried to stop the killing is framed and goes on the run amid riots, political posturing, and pressure on police to subvert justice.
Of course, money is at the root of political evil, and in 2001’s The Constant Gardner, by famed British spy novelist John le Carré, a British diplomat’s search for the truth about his activist wife’s murder in Africa uncovers an international conspiracy of corrupt bureaucrats and pharmaceutical industry money. For Amazon’s latest political thrillers, see 
Among the well-known detectives in this group is bestselling author Jeffery Deaver’s Lincoln Rhyme, a quadriplegic New York City detective. NYC culprits also find a nemesis in George Chesbro’s dwarf criminology professor and private-eye Robert ‘Mongo’ Fredrickson. Proving lack of sight is not lack of insight is Jane A. Adams’ Naomi Blake, a blind ex-policewoman in the Midlands of England, while reading lips doesn’t hinder reading clues in Penny Warner’s Connor Westphal mysteries about a deaf newspaper journalist in California. For a list of more mysteries featuring physically challenged detectives, go to 
If you don’t mind a frisson of anxiety with your real or imagined cruise adventure, add some of these noted mystery authors’ tales of shipboard murder to your reading list. A well-known classic is Death on the Nile by Agatha Christie, in which her Belgian sleuth Hercules Poirot plans a leisurely cruise down the Nile but ends up sifting through suspicious passengers and false leads to solve the murder of a wealthy young woman.
Bestselling suspense author Mary Higgins Clark also penned a thriller with a cruise setting. In Clark’s You Belong to Me, a killer stalks lonely women on board cruise ships as a radio-show psychologist rushes to catch the murderer before he can literally stop her dead.
Famed New Zealand writer Ngaio Marsh even introduced her mystery series’ police detective Roderick Alleyn to the high seas in Singing in the Shrouds, sending Alleyn on a ship voyage in pursuit of a serial killer. But the King of Ocean-Liner Fiction is Conrad Allen. Allen’s eight mysteries in the “Murder on the…” series are all set aboard pre-World War I cruise ships, starting with Murder on the Lusitania, and feature a husband and wife sleuthing team.
For an updated ocean liner tale, fans of the “Murder, She Wrote” mystery series will appreciate Murder on the QE2, by Donald Bain and “Jessica Fletcher,” as Jessica, invited aboard as one of seven guest lecturers, tries to solve the murder of a fellow speaker. For more mysteries with cruise ship settings, see 
Here are some reviewer-favored suggestions that you may also want to add to your beach reading list. John Hart, who has won two Edgar Awards back to back, returns with the crime thriller Redemption Road, in which damaged yet courageous North Carolina police detective Elizabeth Black, who is white, faces a media a circus and the prospect of criminal charges after gunning down two black men sexually abusing 18-year-old Channing Shore in an abandoned house.
North Carolina features again in All the Missing Girls by Megan Miranda, a noted YA author with an adult fiction debut: A prep school counselor makes a return visit to her North Carolina hometown–and the unsolved disappearance of her best friend after their high school graduation a decade earlier.
Let Me Die in His Footsteps by Lori Roy, another Edgar winner, evokes Southern gothic tradition with her tale of two families, first in 1936 and then in 1952, and an evil passed down the generations in a small Kentucky town.
The Girls in the Garden by New York Times best-selling author Lisa Jewell leaves the South and takes us to a midsummer night’s party for neighbors on a communal garden square in London. But the secure urban oasis is shattered when preteen Pip discovers her 13-year-old sister lying unconscious and bloody in a hidden corner of a rose garden, drawing the reader into a mystery about the dark games children and adults play.
Memory, madness and lies also bring danger to psychiatric ward resident Dr. Zoe Goldman in Little Black Lies by Sandra Block. Goldman is dedicated to helping patients but she is also wrestling with her own demons, seeking to piece together the truth of her mother’s death from nightmares about a fire and her adoptive mother’s dementia-tattered memories.
Or, you can turn to fictional inspiration. Agatha Christie counted many poison victims in her mystery books, from Cards on the Table, in which an evil doctor salts anthrax on a shaving brush to kill with a razor nick, to The Pale Horse, where tasteless, odorless thallium is the poison of choice. Another British mystery queen, P.D. James, used insecticide in a whiskey to poison a trainee in a nursing home in Shroud for a Nightingale.
