Bette & Joan’s Legendary Feud Is ‘Star’ of New FX Series


Joan Crawford and Betty Davis were not friends. This was one of the most commonly-known “secrets” in Hollywood history. Of course, they both would play nice when the cameras were rolling and Crawford even firmly dismissed any longtime enmity in a 1947 magazine article entitled “Can Women Trust Each Other?” by saying, “Why should there be a feud? I believe there is a place for every actress in this wonderful business. Certainly Bette and I don’t fear each other.” Bette & Joan -- On Set The rivalry between the silver-screen icons is the stuff of legend, a decades-long battle sparked by both professional and personal resentments and fueled by an industry that loved nothing more than to see its women tear each other apart. Much of their fighting played out as back-and-forth sniping in the tabloids, though Crawford was always less openly hostile than Davis, whose iconic burns include the classic: “[Crawford] slept with every male star at MGM—except Lassie.” Bette & Joan -- BETTE The premise behind FX and Ryan Murphy’s latest anthology series, Feud, which premieres on March 5, is so deceptively simple that it’s hard to believe it hasn’t already been done. Each season will see Murphy and his co-producers focus on a different famous feud—much as each season of American Crime Story tackles a real-life crime—and it’s already clear that the first set of eight episodes, subtitled Bette and Joan, will be a very tough act to follow. Susan Sarandon plays Bette Davis while Jessica Lange takes on Joan Crawford. Bette Davis: Beautiful, Gifted and Hard to Love So how did these two legendary starlets end up being the centerpieces of a four-decade long feud? Bette & Joan -- JOAN 1933: It begins with Crawford’s divorce overshadowing Bette’s starring role. Crawford began her on-screen career at a younger age than Davis (Crawford made her first onscreen appearance in 1925) and was already an established star by the time Davis moved to Hollywood in 1930. In 1933, Davis had reached a pivotal moment in her still-nascent career—the comedy Ex-Lady would be the first to feature her name above the title. Warner Bros. had planned an elaborate publicity campaign announcing Davis’s new phase of stardom—until Crawford announced that she was divorcing her first husband, Douglas Fairbanks Jr., on the same day. According to celebrity biographer David Bret, The New York Times relegated Davis’s film to a small paragraph in the Review section, while devoting several pages to Crawford’s news, and other papers followed suit. Ex-Lady was dropped from theaters after a week thanks to poor ticket sales, and Davis’s beef was supposedly born. 1Bette & Joan -- Joan & actor935: Joan marries the man Bette loved. “I have never forgiven her for that, and never will.” So said Davis in a 1987 interview with journalistMichaelThorton, 52 years after the defining incident in her lifelong hatred of Crawford. In 1935, Davis starred in the drama Dangerous and fell hard for her co-star Franchot Tone. “I fell in love with Franchot, professionally and privately,” she said. “Everything about him reflected his elegance, from his name to his manners.” Unfortunately, Crawford got to Tone first. Rumor has it that she invited Tone to her home and met him naked in the solarium. The couple would announce their engagement during the filming of Dangerous. “He was madly in love with her,” Davis said. “They met each day for lunch… he would return to the set, his face covered in lipstick. Davis would go on to win an Oscar for her performance in Dangerous—and yet Crawford still managed to upstage her. 1943: Joan leaves MGM for Warner Brothers and is now directly competing for studio roles with Betty. Bette & Joan -- Bette smoking Back in the day, actors were more or less owned by a studio and couldn’t work on any other productions, unless specifically loaned out. Crawford was part of MGM and Davis was part of Warner Bros. so, even though they were competing for America’s attention, they rarely had to compete for the same roles. Until now. Crawford had her heart set on the title role in the film noir Mildred Pierce and got her wish when Davis—the studio’s first choice—turned it down. Two years later, Crawford would take another lead role originally intended for Davis, in the crime drama Possessed, and win another Oscar nomination for it. Despite Davis’s oft-quoted line “Miss Crawford is a movie star, and I am an actress,” it had become clear that the industry saw more common ground between them than Davis would like to admit. Joan Crawford: Tough, Talented, And Unlucky in Love Given the comparisons, it’s no surprise that some producers were keen to get Davis and Crawford on screen together. Their unlikely vehicle came years later when their careers were fading via the horror film What Ever Happened to Baby Jane? — about a demented former child star (Davis) who holds her crippled sister (Crawford) captive. Crawford signed on first, but knew she needed the perfect co-star to make it a career-reviving hit. Putting ego aside, she flew to New York and asked her rival to take the part. Amazingly, Davis did. Bette & Joan -- Actress Meeting Davis agreed to sign on to Baby Jane on two conditions: that she play the title role of Jane, and that the film’s director Robert Aldrich assure her he was not sleeping with Crawford: “It wasn’t that I cared about his private life, or hers either,” Davis reportedly said. “I didn’t want him favoring her with more close-ups.” Though the film was an unexpected box office success, and did to some extent represent the comeback that both actresses desperately needed, it became remembered most powerfully as a public document of their real-life rivalry. Baby Jane and the behind-the-scenes stories born while making this film, will all be revealed during the anthology series Feud.  Was their feud real? Or was it a media creation that Bette and Joan capitalized on? Maybe it’s a bit of both, but this Feud is not to be missed. bette2 - CopyFor more info on Bette Davis Click Here           joan2For more info on Joan Crawford Click Here

Joan Crawford: Tough, Talented and Unlucky in Love


Lucille Fay LeSueur was born to a single mother in Texas and spent her childhood moving from state to state, struggling to get a proper education. She dreamed of a better life as a famous dancer. After some time in various chorus lines, Lucille decided to switch gears and landed a $75 a week gig as an actress at MGM. The studio publicist didn’t like the sound of her name (too close to “sewer”) so he organized a “Name the Star” magazine contest for $1000 prize. And a star (named Joan Crawford) was born!

A prolific and long-lasting film career was to follow, with Crawford ultimately going on to star in more than sixty films. She took on talking roles with projects like Hollywood Revue (1929) and Grand Hotel (1932), and her dancing skills were prominently displayed with Fred Astaire in the 1933 hit Dancing Lady. Clark Gable was also featured, and was a recurring co-star in works like Possessed (1931) and Strange Cargo (1940).

Joan Crawford and Clark Gable

Joan Crawford and Clark Gable

Was Clark Gable the love of her life? At times, Joan intimated as much, even though she had had four husbands—actors Douglas Fairbanks, Jr., Franchot Tone, Phillip Terry, and Pepsi-Cola president Alfred Steele—and many lovers. Clark Gable co-starred with Crawford in eight movies, more than anyone else, and the two are rumored to have pursued an affair on and off for decades. They were certainly good friends, and when Gable’s wife Carole Lombard was killed in a 1942 plane crash, Crawford took over her scheduled role in the film They All Kissed the Bride and donated her salary to the American Red Cross.

Bette & Joan’s Legendary Feud Is ‘Star’ of New FX Series

joan3Crawford adopted four children, one of whom, Christina, wrote the 1978 memoir Mommie Dearest, in which she writes of enduring highly erratic and abusive behavior from her mother during childhood. The book was adapted into a 1981 film starring Faye Dunaway as Crawford.

Though garnering a series of notable roles, including her Oscar winning performance as the lead role in Mildred Pierce, Crawford’s career had grown quiet, only to be revitalized yet again with the 1962 horror classic Whatever Happened to Baby Jane?, co-starring her “buddy” Bette Davis.

Crawford died of a heart attack in 1977. Her exact age was unknown as her birthday was a subject of numerous rumors.

Bette Davis: Beautiful, Gifted and Hard To Love


Ruth Elizabeth Davis was born in Lowell, Massachusetts, on April 5, 1908, the eldest daughter of Harlow Morrell Davis, a lawyer, and Ruth Favor Davis. She was called Bette as a child and kept the name throughout her career.

Davis got a break when she was offered a part in The Man Who Played God. She received good reviews and a long-term contract from the Warner Brothers studio. This began a series of films with Warner, mostly unremarkable and insignificant, but critics began to notice Davis’s talent and unique quality. Davis began to claw her way to the top of the film world. She fought for and won the right to appear in another studio’s production of Of Human Bondage. Suddenly, the world was introduced to a brilliant new actress.

Bette & Joan’s Legendary Feud Is ‘Star’ of New FX Series

Davis won her first Academy Award in 1935, for her role as a troubled young actress in Dangerous. She then appeared in The Petrified Forest with male stars Leslie Howard and Humphrey Bogart in 1937. After a rocky period at Warner Brothers, during which time she was suspended for turning down roles, sued the studio and spent some time in England, she returned to Hollywood, and was offered a higher salary and better choice of roles.

bette2 - CopyDavis received her second Oscar for her performance as a rebellion Southern belle in 1938′s Jezebel. A number of critical and box-office successes followed: She played an heiress coming to terms with mortal illness in Dark Victory and Elizabeth I in The Private Lives of Elizabeth and Essex (both released in 1939), and went on to deliver several well-received performances in films of the 1940s, including The Little Foxes; the comedy The Man Who Came to Dinner; the American drama Now, Voyager; and the drama The Corn is Green. By the time she severed ties with Warner Brothers in 1949, Davis was one of its largest talents.

Her feud with Hollywood icon Joan Crawford was legendary. Crawford approached Davis with a request to play opposite her in a new script called, What Ever Happened to Baby Jane. The film was a desperate attempt to take advantage of the public’s interest in the two fading stars and their history of contempt for each other. The film worked, and was quite the box office success story.

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During the 1970s and 1980s, Davis continued to appear in films, mainly on television. She also appeared on many talk shows, delighting her audiences by her refusal to give in to old age. She was the fifth person to receive the American Film Institute’s Life Achievement Award in 1977 and the first woman to be so honored. In 1979 she won an Emmy Award for Strangers: The Story of a Mother and Daughter.

Davis wrote two books about her own life, The Lonely Life (1962) and This ‘N That (1987) (the second of which answered charges by her daughter that Davis was an alcoholic who had abused her children). She was also married four times.  Her first marriage, to bandleader Harmon Oscar Nelson Jr., ended in divorce; her second husband, businessman Arthur Farnsworth, died in 1943. With third husband William Grant Sherry, Davis had a daughter named Barbara. While married to Gary Merrill, her co-star in All About Eve, she adopted two children, Margot and Michael; the marriage ended in divorce.

She passed away from breast cancer while in France in 1989. Davis was 81 years old.