Joan Crawford and Betty Davis were not friends. This was one of the most commonly-known “secrets” in Hollywood history. Of course, they both would play nice when the cameras were rolling and Crawford even firmly dismissed any longtime enmity in a 1947 magazine article entitled “Can Women Trust Each Other?” by saying, “Why should there be a feud? I believe there is a place for every actress in this wonderful business. Certainly Bette and I don’t fear each other.” 
The rivalry between the silver-screen icons is the stuff of legend, a decades-long battle sparked by both professional and personal resentments and fueled by an industry that loved nothing more than to see its women tear each other apart. Much of their fighting played out as back-and-forth sniping in the tabloids, though Crawford was always less openly hostile than Davis, whose iconic burns include the classic: “[Crawford] slept with every male star at MGM—except Lassie.” 
The premise behind FX and Ryan Murphy’s latest anthology series, Feud, which premieres on March 5, is so deceptively simple that it’s hard to believe it hasn’t already been done. Each season will see Murphy and his co-producers focus on a different famous feud—much as each season of American Crime Story tackles a real-life crime—and it’s already clear that the first set of eight episodes, subtitled Bette and Joan, will be a very tough act to follow. Susan Sarandon plays Bette Davis while Jessica Lange takes on Joan Crawford. Bette Davis: Beautiful, Gifted and Hard to Love So how did these two legendary starlets end up being the centerpieces of a four-decade long feud? 
1933: It begins with Crawford’s divorce overshadowing Bette’s starring role. Crawford began her on-screen career at a younger age than Davis (Crawford made her first onscreen appearance in 1925) and was already an established star by the time Davis moved to Hollywood in 1930. In 1933, Davis had reached a pivotal moment in her still-nascent career—the comedy Ex-Lady would be the first to feature her name above the title. Warner Bros. had planned an elaborate publicity campaign announcing Davis’s new phase of stardom—until Crawford announced that she was divorcing her first husband, Douglas Fairbanks Jr., on the same day. According to celebrity biographer David Bret, The New York Times relegated Davis’s film to a small paragraph in the Review section, while devoting several pages to Crawford’s news, and other papers followed suit. Ex-Lady was dropped from theaters after a week thanks to poor ticket sales, and Davis’s beef was supposedly born. 1
935: Joan marries the man Bette loved. “I have never forgiven her for that, and never will.” So said Davis in a 1987 interview with journalistMichaelThorton, 52 years after the defining incident in her lifelong hatred of Crawford. In 1935, Davis starred in the drama Dangerous and fell hard for her co-star Franchot Tone. “I fell in love with Franchot, professionally and privately,” she said. “Everything about him reflected his elegance, from his name to his manners.” Unfortunately, Crawford got to Tone first. Rumor has it that she invited Tone to her home and met him naked in the solarium. The couple would announce their engagement during the filming of Dangerous. “He was madly in love with her,” Davis said. “They met each day for lunch… he would return to the set, his face covered in lipstick. Davis would go on to win an Oscar for her performance in Dangerous—and yet Crawford still managed to upstage her. 1943: Joan leaves MGM for Warner Brothers and is now directly competing for studio roles with Betty. 
Back in the day, actors were more or less owned by a studio and couldn’t work on any other productions, unless specifically loaned out. Crawford was part of MGM and Davis was part of Warner Bros. so, even though they were competing for America’s attention, they rarely had to compete for the same roles. Until now. Crawford had her heart set on the title role in the film noir Mildred Pierce and got her wish when Davis—the studio’s first choice—turned it down. Two years later, Crawford would take another lead role originally intended for Davis, in the crime drama Possessed, and win another Oscar nomination for it. Despite Davis’s oft-quoted line “Miss Crawford is a movie star, and I am an actress,” it had become clear that the industry saw more common ground between them than Davis would like to admit. Joan Crawford: Tough, Talented, And Unlucky in Love Given the comparisons, it’s no surprise that some producers were keen to get Davis and Crawford on screen together. Their unlikely vehicle came years later when their careers were fading via the horror film What Ever Happened to Baby Jane? — about a demented former child star (Davis) who holds her crippled sister (Crawford) captive. Crawford signed on first, but knew she needed the perfect co-star to make it a career-reviving hit. Putting ego aside, she flew to New York and asked her rival to take the part. Amazingly, Davis did. 
Davis agreed to sign on to Baby Jane on two conditions: that she play the title role of Jane, and that the film’s director Robert Aldrich assure her he was not sleeping with Crawford: “It wasn’t that I cared about his private life, or hers either,” Davis reportedly said. “I didn’t want him favoring her with more close-ups.” Though the film was an unexpected box office success, and did to some extent represent the comeback that both actresses desperately needed, it became remembered most powerfully as a public document of their real-life rivalry. Baby Jane and the behind-the-scenes stories born while making this film, will all be revealed during the anthology series Feud. Was their feud real? Or was it a media creation that Bette and Joan capitalized on? Maybe it’s a bit of both, but this Feud is not to be missed. 
For more info on Bette Davis Click Here 
For more info on Joan Crawford Click Here
Crawford adopted four children, one of whom, Christina, wrote the 1978 memoir Mommie Dearest, in which she writes of enduring highly erratic and abusive behavior from her mother during childhood. The book was adapted into a 1981 film starring Faye Dunaway as Crawford.
It sounds godawful in title and concept – but which in execution is a fizzy delight. Warning: The sight of middle-agers bonking may cause teen tremors.
It’s difficult to imagine that before 2007, although Fassbender had played small parts in television and film, arguably his most well-recognized role had been as a man who swims across the Atlantic Ocean to apologize to his brother over a pint in a Guinness commercial. Since 2007, Fassbender has starred in three Steve McQueen films, and has been sought after and worked with directors such as David Cronenberg, Cary Fukunaga and Ridley Scott; he had an especially glorious bit in Quentin Tarantino’s ‘‘
We want to take a look at some movies coming out in this week that we are really excited to see! From quirky indie romance, to big budget spy thrillers, we have you covered on your next date night!
Adapted from the bestselling novel by author John Green (“The Fault in Our Stars”), PAPER TOWNS is a coming-of-age story centering on Quentin and his enigmatic neighbor Margo, who loved mysteries so much she became one. After taking him on an all-night adventure through their hometown, Margo suddenly disappears–leaving behind cryptic clues for Quentin to decipher. The search leads Quentin and his quick-witted friends on an exhilarating adventure that is equal parts hilarious and moving. Ultimately, to track down Margo, Quentin must find a deeper understanding of true friendship–and true love. 
The story of tragedy, loss and the painful road to redemption… Billy “The Great” Hope (Gyllenhaal) is the reigning Junior Middleweight Champion whose unorthodox stance, the so-called “Southpaw,” consists of an ineloquent, though brutal, display of offensive fighting…one fueled by his own feelings of inadequacy and a desperate need for love, money and fame. With a beautiful family, home and financial security, Billy is on top both in and out of the ring until a tragic accident leaves his wife dead and sends him into a downward spiral. His days now an endless haze of alcohol and prescription drugs, his daughter taken by Child Services and his home repossessed by the bank, Billy’s fate is all but sealed until a washed up former boxer named Tick agrees to take the bereaved pugilist under his wing so long as he agrees to his strict ethos. Relentless and utterly committed to a fighter that thinks as much as he throws punches, Tick rebuilds Billy into a new man: one that is agile, fearsome and uncompromising in the ring while thoughtful, loving and disciplined outside of it. Now, as he works to regain custody of his daughter and mounts a professional comeback, Billy must face his demons head-on as he learns that, sometimes, your greatest opponent can be yourself. 
Ethan and team take on their most impossible mission yet, eradicating the Syndicate – an International rogue organization as highly skilled as they are, committed to destroying the IMF. Ethan Hunt’s highly effective but destructive Impossible Mission Force (IMF) has been disbanded by vengeful Washington bureaucrats such as the CIA chief (played by Alec Baldwin). But Hunt pulls his team together (Jeremy Renner, Simon Pegg, Ving Rhames and newcomer Rebecca Ferguson) to battle the shadowy force known as “The Syndicate” and its elusive leader (Sean Harris). 